ParticiPlace: Community-Based Participatory Research through an International Design Competition

Interwoven Communities
Interwoven Communities by Gabriel Kaprielian, Liz Kee, Marisha Farnsworth, and Jonghoon Im from Berkeley California: ParticiPlace2012 1st Prize winner and co-winner of the Social and Cultural Integrity Prize Enlarge [+]
ParticiPlace2012, an international design competition for the Living Culture Center for the Pinoleville Pomo Nation was organized as part of my PhD. research in Architecture. The competition provided a test bed to explore the gap between global designers and local communities — the users in place.

Environmental psychology provided the framework for understanding place, specifically Canter’s definition of place as the overlap between physical attributes, activities, and conceptions. When interviewing practicing architects, it became clear that in the for-profit design world, architects use a variety of techniques to become familiar with the specific physical attributes of place while activities of place are usually provided in the design brief. However, conceptions of place are harder to communicate across wide cultural and geographical gaps, hence are often neglected. At the same time, in the non-profit world of architecture, while more attention is given to learning conceptions, the information provided is not always enough for the architect’s place-information palette. As technology and particularly the variety of social network tools develop and become widely used around the world, I decided to study whether these tools can be harnessed to bridge the gap between local communities and global designers providing solutions in developing regions.

Based on case-studies in the field of Information and Communication Technology for Development (ICT4D), technology without human motivation is not enough to create development. Empowering local communities requires both a top-down approach and a bottom-up solution. The opportunity provided to Native American Nations in the US to use federal funds to both design and build their own housing solutions is a top-down approach that calls for bottom-up solutions to allow the community simple ways to influence the design — essentially the core of this project. Together with Professor Agogino from the department of Mechanical Engineering and Ryan Shelby, a Mechanical Engineering PhD. student, we established CARES — Community Assessment of Renewable Energy and Sustainability — with the goal to support Native American and other communities in making informed decision about sustainable design solutions.

ParticiPlace2012 3rd Prize co-winner
Kadi Franson, Nathan Pundt, and Leah Nichols from Oakland California: ParticiPlace2012 3rd Prize co-winner of and co-winner of the Social and Cultural Integrity Prize Enlarge [+]

CARES works closely with the Pinoleville Pomo Nation (PPN), a Native American Nation located near Ukiah, two hours’ drive north of Berkeley, to co-design sustainable housing and community design solutions that are culturally appropriate. Our trans-disciplinary design process encompasses faculty and students from architecture and engineering, and community members working together throughout the cycle of design, construction, and post-occupancy evaluation.

In the search for technologies that could facilitate our design process, we decided to organize an international design challenge for a Living Culture Center that the PPN is interested in building. Our proposal for the design challenge won second prize in the Berkeley Big Ideas competition from the Blum Center for Developing Economies, providing a kick-start to the project. We brought in a distinguished jury from leading design firms and received additional generous support from the College of Environmental Design and the College of Engineering, followed by a contribution from the Center for Information Technology Research in the Interest of Society (CITRIS) and from the PPN. These resources allowed us to run a design competition attracting professionals and students from around the world.

Echo of Presence by Elements Architects
Echo of Presence by Elements Architects from Oak Park, Illinois: ParticiPlace2012 2nd Prize winner, Sustainable Engineering Innovation Honorable Mention and Social and Cultural Integrity Honorable Mention Enlarge [+]

Out of 38 registered teams, 17 submitted their design ideas including teams from India, Japan, Spain, Georgia, UK, Dominican Republic, Canada, and the U.S. Three categories of prizes were awarded: the general prize; a Sustainable Engineering Innovation Prize, and a Social and Cultural Integrity Prize — each of these acknowledging different design qualities of the submissions. The blind jury, comprised of contemporary Native-American and sustainable design practitioners, as well as community leaders, evaluated the submissions to select the winners. The first prize was awarded to a team of graduate students from the CED that included Gabriel Kaprielian, Marisha Farnsworth, Liz Kee and Jonghoon Im. The second was awarded to Elements Architects, a firm located in the Greater Chicago area; and the third prize was shared by Kengo Sato from Japan and Kadi Franson, Nathan Pundt and Leah Nichols representing a team from Oakland.

ParticiPlace2012 3rd Prize co-winner
Kengo Sato from Tokyo, Japan: ParticiPlace2012 3rd Prize co-winner and co-winner of
the Sustainable Engineering Innovation Prize
Enlarge [+]
ParticiPlace2012 Honorable Mention
Emily Kwok, Hien Vuong and Gwen Fuertes from San Francisco, California: ParticiPlace2012 Honorable Mention and co-winner of the Sustainable Engineering Innovation Prize Enlarge [+]

ParticiPlace2012 allowed the PPN to define their building requirements and discuss a variety of ideas that they can use as they go forward in realizing the building. The Living Culture Center will allow the PPN to practice, preserve, and revive their unique, native-Pomo culture. The proposed designs encourage active social exchange, cultural education, and living cultural practice. Once built, it will create space for PPN citizens to integrate long-standing traditions with contemporary lives.

On a research level the project demonstrates that even under conditions of cultural and geographical distance between designers and place, community members and designers can bridge this gap by using available information and communication technologies. Based on analysis of a variety of data collected throughout the process, my own research showed that international designers who had never visited the site could provide solutions that were as place-appropriate as the solutions provided by those who were situated nearby. Though globalization may have created a chasm between designers and local characteristics of place, this research calls to empower local community members through common technology to help bridge that gap and to enable designers to become intimate with the places that they help to design.

Designing from “Here” for “There”

By Yael Perez, Student, PhD Architecture

I joined the Nano City Super Studio as a result of my background and interest in development issues in India, as well as the desire to learn about the design process.

Master Plan rendering

As a PhD student my research interests focus specifically on the current trends in architectural practice where architects around the globe often design for sites that they have never been to or have had minimal contact with. As a practicing architect I have lived and worked in Northern India, where I was involved with several development projects that stress local building traditions. The Nano City Super Studio was thus a unique opportunity that helped me develop my research focus and fine tune my thesis topic, which is now framed as: “Bridging the gap between architect and site through technological tools to enhance place-sensitive design.”

So how did a group of Berkeley students bridge the architect-site gap in Northern India? A trip to India seemed to be the logical first step, but a week’s visit there left us with more questions than answers. For example, the most prominent features appearing on our site maps, two rivers delimiting the site, were found to be dry most of the year and flowing with muddy water during the monsoon season. Predominantly, the buildings in the area were concrete structures of poor quality or shabby vernacular dwellings. In contrast the most beautiful visually seductive aspect of the site — a mosaic of agricultural plots of land — was precisely what we were required to change.

Back in the studio in Berkeley, we found ourselves using virtual tools such as Google Earth and aerial photos. The high-resolution images highlighted features that we had failed to notice during our site visit. These included a water source, irrigation tunnels, an avenue of trees along a road, and several other elements which could be combined into a contextualized, practical, and place-sensitive urban environment. And while virtual tools cannot replace the tactile and sensory knowledge gained from a site visit, they definitely complemented it and kept us connected to the site despite the distance.

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The ancient trees on the Nano City site that serve as inspiration for the design of the Master Plan.

Beyond my own interests, a project like NanoCity, which combined both theoretical and practical questions, was a perfect fit for an advanced graduate-level studio and influenced all of us considerably. The challenges of designing a new city and the inherent difficulties of bridging geographical and cultural distances, were augmented by the fact this was a concrete project executed together with our client. Working on a real project forced us to deal not only with subjects we are enthusiastic about, but also with those that are usually overlooked in studio-courses such as government regulations, financial feasibility, attractiveness of the solution to potential investors, and of course producing high quality deliverables for our client.

Our experience was further enhanced by the professors who not only taught the design studios but also acted as consultants to the studio team and arbiters with the client. Their expertise in various relevant fields such as transportation, energy, and international development contributed greatly to the design and learning process. The close interactions between the students, professors, and the client resulted in a mutually productive learning process which in turn helped us devise better design solutions. It will probably be several years before we get a chance to take part again in such a complex design process–particularly one where designers, clients and developers benefit from fruitful interactions with one another.