- SOLITAIRE: Logic, Numbers, Science, Inner Process
- LIVE FEED: History, Theory, The Living, DNA
- GNAR: Epoch, Speed, Velocity, Extremism, Gravity
- CONTINUOUS NON-ORIENTABLE: Surfaces, vert-mass, Façade, Earthwork, mega-form
- N-BETWEEN: X-Ray, Parallelism, perpendicularity, Adjacency
- BLACK ON BLACK: The Hidden, mini-mass, Built-in, Storage, folded shadow
- PLASTICS: Folds, Lofts, Pulls, Strokes, Vectors
- PRISMATICS: Crystal, Rhomboid, Reflection, Translucency, Multiplicity
- CANTILEVER: Time, Structure, Action, Extension
- FLUIDITY: Contour, Wire Frame
- PIGMENT: Color, humanity, Art, Programmatic fluctuation
- CAMOUFLAGE: Anti-pattern, Transparency, Overlay
- STAR SKY: Vertical movement, Roof Deck
- SYNTHETICS: layering, Skin, envelope
- KNIFE SPACE: Feasting, Cooking, Devouring, Kitchen
- SEVENS: Proportion, Eroticism, Sexuality, Model, Structure
- RHYTHMICS: Instrumentality, Music, Sound
- PLASMATICS: Anamorphous, Biological, Nostalgia, Blood
- CINEMATICS: Projection, Wall, Sequence, Event
- TECHTONICS: Building, forces, Texture, Fabrication, Construction
- RE-EVOLUTION: Eternal Recurrence = Again + Again + Again
Experimentation is a conscious aim of Volume 21: Office for Architecture. A critical awareness of the ‘envelope’ of architectural practice chases us toward a series of motivations, procedures and strategies for working. The ideas are active in research (design process), technology (fabrication and construction) and pedagogy (writing and teaching).

